In a world increasingly dominated by the digital, I find inspiration in physical objects and manual

labour. Materials are the spark of my practice. I am interested in dismantling their meanings and

rethinking their potential uses.

I see textiles as a precise tool for assembling objects and materials, a medium that allows the

fragile to merge with the structural. For me, textiles symbolise connection and resilience,

forming a bridge between times, territories, and bodies. Their tactile quality fosters an intimate

relationship with materials and evokes a shared human experience: that of creating with our

hands.

Through working with thread, I seek to explore the tensions between permanence and

ephemerality, solidity and vulnerability. This duality runs through my artistic research and

shapes the objects I produce.

The stories contained within materials—their origins, movements, and uses—guide me in

creating works that activate memory and invite reflection on our relationship with the

environment, with time, and with ways of making. Craft practices, with their slow and deliberate

rhythm, offer a counterpoint to the speed of contemporary life. They invite us to pause, observe,

and recognise the stories that emerge from the acts of touching, spinning, and constructing.

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